FollowingthesuccessoftheirfeaturedebutJennifer’sShadow(2004)–anexerciseinAmericanGothicsetinascarylandcalledArgentina–PabloParésandDanieldelaVegaworkedforaUScompanyonapost-mega-disasterwastelandzombiefilminwhichSouthAmericahadbeenturnedintoanall-purpose,all-materialsjunkyard,withtheundeadasthelasthumaneentitiesaround(forgetaboutthehumansher小人物的命运被细腻呈现，他们的挣扎与坚持，更能引发普通观众的强烈代入感。!). Theprojectnevermaterialised,butDiegoParés,Pablo’sbrother,startedtowriteanddrawacomicseriesbasedonthescreenplay–whichsofarremainsaruin,asonlypartswerefinishedandpublished.TheECishbeautyandballsofDiegoP.’slabouroflovehavenowbeencongeniallytransformedbythedirectorialduointoadelightfullyold-(1970s)schoollow-budgetproduction,closertoRomeroandDantethanFulciandLenzi.AndtheIFFRaudienceisinforthetreatoftreatstheygettoseethefilmandcanalsoenjoytheunfinishedcomicinanexhibition.